Showing posts with label jazz. Show all posts
Showing posts with label jazz. Show all posts

26 August, 2009

BRIAN SETZER ORCHESTRA MEETS FILM NOIR ON ‘SONGS FROM LONELY AVENUE’





Rockabilly guitar-slinger, big band impresario, and all-around cool cat Brian Setzer takes a walk on the dark side with his film noir-inspired new album ‘Songs From Lonely Avenue,’ out October 13th on Surfdog Records.

With a propulsive rhythm, an ominous minor key, wickedly good instrumental solos and the familiar character of the Devil up to his old tricks, opening track “Trouble Train” sets the mood for the whole album (with echoes of that other great song about Lucifer, Charlie Daniels’ “Devil Went Down to Georgia”). Throughout the rest of the album, thugs prowl the street, young couples dance the night away in New York, hearts are broken, and lives are taken, all over pitch-perfect melodies and arrangements.

Comprising ten vocal tracks and three instrumentals, ‘Songs from Lonely Avenue’ marks the first time Setzer has written every track on an album. With all the scope of a Raymond Chandler novel or an Orson Welles film, it’s his most ambitious project to date.

And as he did on 2007’s ‘Wolfgang’s Big Night Out,’ Setzer recruited 87-year-old Frank Comstock, one of the most important and inventive arrangers of instrumental music of the last century, to score the horn arrangements. Comstock wrote music for many of the era’s top artists, including Doris Day, Sonny Dunham, Benny Carter and Judy Garland (not to mention the “Rocky & Bullwinkle” theme!).

Furthermore, the “New King Of Jingle Bell Rock” (Billboard) Brian Setzer and his 18-piece big band will kick off their seventh Christmas Extravaganza 27-date tour on November 20th in Detroit. This fall, Surfdog Records will re-release Setzer’s hugely successful collection of yuletide music: ‘Christmas Rocks’ as well as the ‘Ultimate Christmas’ CD and DVD combination- songs that have become part of the holiday tradition for millions over the last several years.

From launching the rockabilly revolution with the Stray Cats to pioneering the swing revival with the Brian Setzer Orchestra, this Long Island-born innovator has earned his unique place in modern music by walking the line between conceptual discipline and balls-out rockin’. Setzer won three Grammy Awards (two for Best Pop Instrumental Performance for “Sleepwalk” from The Dirty Boogie in 1998 and “Caravan” from VaVoom in 2000, plus one for Best Pop Performance with “Jump, Jive an' Wail,” also from The Dirty Boogie) by targeting that place where wild energy and visionary imagination intersect.

* Listen to Trouble train.

* Listen to Lonely avenue.

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05 April, 2008

It's not simple but Van just does it simple!

+ The man in the picture is serious, reflexive, it could serve as a roman emperor in an epic movie about the Roman empire. In its bourgeoning era, of course. Or the king of the spanish empire round sixteen century. Or just a blues singer. Great photo and cover!

+ Keep It Simple is Morrison’s first album of new material in two years. The man itself explain what will you find there:

“People don’t remember what you did, or what happened, or how you got here,” he says. “I didn’t get here the easy way. It’s people who don’t know me. They don’t actually look at what this guy’s actually been through. They see the big versions of what’s supposed to be me – but they don’t know my biography really. That’s what this whole record’s about.”

+ Ok, great music is what you find in any Van Morrison job. Keep it simple is no exception. Two superb blues pieces just as a start (how can a poor boy, school of hard knocks), rest (what a rest), another blues (don't go to clubs anymore), soul (lover come back), northern irish paintings, and much more, all with emotion and depth.

* You can get a good glimpse of the record by visiting his space.


* You can also listen to and watch soul.

* There is another player at the Lost Highway Records web.

* And, here, you can get a stream of “That’s Entertainment”.

21 October, 2007

The War


+ THE WAR tells the story of the Second World War through the personal accounts of a handful of men and women from four quintessentially American towns. The series explores the most intimate human dimensions of the greatest cataclysm in history, and demonstrates that in extraordinary times, there are no ordinary lives.

+Music is an integral element in the success of the award-winning documentary films produced and directed by Ken Burns, and three of his most recent projects have been accompanied by soundtrack albums released by Legacy Recordings: JAZZ (2001, certified multi-platinum), Mark Twain (2001), and Horatio’s Drive (2003).

+ Every musical track has been selected to underscore events or themes in the film. There is an eclectic mix of vintage era jazz (Count Basie, Duke Ellington, Benny Goodman, Nat ‘King’ Cole), popular singers (Kay Starr, Bing Crosby with guitarist Les Paul), classical works by composers Aaron Copland, Sir William Walton, and modernist Arvo Pärt, and evocative performances by Edgar Meyer (and friends) and Yo-Yo Ma & The Silk Road Ensemble.

* Listen to The War podcasts by visiting this link.

* Listen to THE WAR Audio Streams:

“American Anthem” by Norah Jones,

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_01_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_01_full_smil.mov

“Two Pieces For Strings: Passacaglia: The Death Of Falstaff” [Edited Performance] by Leonard Slatkin & The London Philharmonic Orchestra

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_02_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_02_full_smil.mov

“The Wang Wang Blues” by Benny Goodman Sextet

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_03_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_03_full_smil.mov

“Movin' Back” by Wynton Marsalis

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_04_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_04_full_smil.mov

“How Long Blues” by Count Basie

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_05_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_05_full_smil.mov

“In the Nick of Time” [Instrumental] by Edger Meye, Joshua Bell, Sam Bush, & Mike Marshall

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_06_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_06_full_smil.mov

“It's Been A Long, Long Time” by Bing Crosby, with Les Paul

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_07_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_07_full_smil.mov

“America My Home” by Wynton Marsalis

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_08_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_08_full_smil.mov

“If I Could Be With You (One Hour Tonight)” by Kay Starr, accompanied by the Capitol International Jazzmen

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_09_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_09_full_smil.mov

“Blue As The Turquoise Night of Neyshabur” [Edited Version] by Yo-Yo Ma & The Silk Road Ensemble

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_10_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_10_full_smil.mov

“Until I'm In Your Arms Again” by Wynton Marsalis

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_11_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_11_full_smil.mov

“Variations For The Healing Of Arinushka” by Kalle Randalu

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_12_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_12_full_smil.mov

“Basie Boogie” by Count Basie & His Orchestra

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_13_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_13_full_smil.mov

“Solitude” [78rpm Version] Duke Ellington & His Orchestra

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_14_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_14_full_smil.mov

“Concerto For Clarinet & String Orchestra” by Benny Goodman, Aaron Copland, & Columbia Symphony Orchestra

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_15_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_15_full_smil.mov

“If You Can't Smile And Say Yes” by The King Cole Trio

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_16_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_16_full_smil.mov

“American Anthem” by Amanda Forsynth & Bill Charlap

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_17_full_100.asx

http://www.sonymusic.com/clips/selection/fu/710203/710203_01_17_full_smil.mov

+ Enjoy and think about it. Don't let others tell what you should think or say.

08 August, 2007

Monterey Jazz Festival 50th Birthday!

* In celebration of the 50th Annual Monterey Jazz Festival, Monterey Jazz Festival Records will make its debut with a remarkable series of historic live-at-Monterey releases. Not only does this mark the first time a festival has launched its own label, but the riches of its tape archives—more than 1600 tapes with more than 2000 hours of concerts in the vault—makes this ambitious endeavor a jazz bonanza.

* The Monterey Jazz Festival, the pioneering West Coast-styled jazz party, inarguably holds the world record for the longest-running jazz affair, having been born in 1958 on the Monterey Fairgrounds, some 100 miles south of San Francisco. This year MJF turns 50, with its annual three-day gala (September 21–23) taking on special significance with a wealth of performances offered on nine stages spread throughout the festival’s 20-acre grounds.

* The first five recordings, to be released on August 21, capture the crème de la crème of the jazz heritage: Louis Armstrong (caught headlining the first night of the festival in 1958); Miles Davis (introducing to the West Coast his soon-to-be-classic ‘60s quintet rhythm section in 1963); and Thelonious Monk (his quartet augmented by bassist Steve Swallow and an expanded five-piece festival workshop in 1964), plus sets by Dizzy Gillespie (in 1965 having expanded his usual quintet with Kenny Barron and James Moody to a sextet by adding Big Black on congas) and Sarah Vaughan (backed by a young Bill Mays, Bob Magnusson and Jimmy Cobb – and one tune with the Jazz at the Philharmonic All-Stars in 1971).

* Please, hear some samples:

1. Louis Armstrong “Mack The Knife”, asx or qtl

2. Miles Davis “Autumn Leaves”, asx or qtl

3. Thelonious Monk “Rhythm-A-Ning”, asx or qtl

4. Dizzy Gillespie “Poor Joe”, asx or qtl

5. Sarah Vaughan “’Round Midnight”, asx or qtl

Enjoy!
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